It records the 1615 visit of Archduke Albert (r. 1599-1621) and Archduchess Isabella (r. 1599-1633), co-regents of the Spanish Low Countries, to Van der Geest's townhouse adjacent to the river Scheldt. Cornelis van der Geest's Kunstkammer in Antwerp during the visit of the Archdukes Albrecht and Isabella in 1615 label QS:Lpl,"Galeria Cornelisa van der Geest." label QS:Lnl,"De kunstkamer van Cornelis van der Geest." Read more. Van Haecht's painting locates Northern Renaissance art, especially that of Antwerp, at the heart of this canon. Between 12th and 14th Streets It was meant for the church of the Recollect order of Augustinians in Antwerp; within a few years Scaglia wou Three dashing young boys stand on the steps of an impressive building. Franois Langlois was an engraver, art dealer and publisher who lived in Italy in the 1620s, which is where he must have met Van Dyck. All structured data from the file namespace is available under the. Known as Rupert of the Rhine, he bears a striking resemblance to his cousin the Prince of Wales, later Charles II. [Go to accessibility information]. [Skip to main navigation] : G.V.haecht / 1628 Depicted people Cornelis van der Geest Wadysaw IV Vasa Albert VII, Archduke of Austria Isabella Clara Eugenia Peter Paul Rubens Catharina van Mockenborch Date The composition reveals a growing historical consciousness. La Galerie de Cornelis van der Geest; The Gallery of Cornelis van der Geest; Galeria Cornelisa van der Geest. These are Xanthus and Balius, the immortal horses of the Greek hero Achilles. Cornelis van der Geest; ; Cornelis van der Geest; Cornelis van der Geest; Cornelis van der Geest; Cornlius van der Geest; Cornelis van der Geest; Cornelis van der Geest; Cornelis van der Geest; Cornelis van der Geest; Cornelis van der Geest; Cornelis van der Geest; Cornelis van der Geest; Cornelis van der Geest; Cornelis van der Geest; mercante di spezie di Anversa; Gewrzhndler aus Antwerpen und Kunstmzen; spice merchant from Antwerp and patron of the arts; ngociant en pices, bourgeois d'Anvers, et; kunstverzamelaar in Antwerp; Cornelius van der Geest; Cornelis van der Gheest; Cornelis de Geest, spice merchant from Antwerp and patron of the arts, The Gallery of Cornelis van der Geest (painting), A wanderer in London (1906) (14579856130).jpg, Portret van Cornelis van der Geest, RP-P-1967-974.jpg, Portret van Cornelis van der Geest, RP-P-OB-16.445.jpg, Portret van Cornelis van der Geest, RP-P-OB-16.446.jpg, Van der Geest, Cornelis (1577-1638); handelaar, kunstverzamelaar en mecenas, Van Dyck, Anthony, Felixarchief, 12 12722.jpg, Anthony van Dyck - Cornelis van der Geest - WGA07391.jpg, https://commons.wikimedia.org/w/index.php?title=Category:Cornelis_van_der_Geest&oldid=386369676, Creative Commons Attribution-ShareAlike License. (3,424 2,586 pixels, file size: 6.09 MB, MIME type: medium QS:P186,Q296955;P186,Q106857709,P518,Q861259, https://creativecommons.org/publicdomain/mark/1.0/, The Gallery of Cornelis van der Geest, by Willem van Haecht, Last edited on 25 February 2022, at 07:04, File:Willem van Haecht - The Gallery of Cornelis van der Geest, 1628.jpg. But his brushwork is . ; 36 3/8 x 31 3/8 in. This venue is open to the public. You must agree to the Creative Commons terms and conditions to download this image. The noted Antwerp and Northern Renaissance masters are situated within the sweep of great European art. The painting was later extended, almost certainly not by van Dyck, to bust length, and showed part of the sitters hand. He was so revered that Van Dycks famous teacher Rubens described him as the best of men and my oldest friend, who, since my youth, has been my never-failing patron, whose whole life showed a love and admiration of painting. X-ray photographs show that, instead of the plain dark background, the portrait was originally set in a simulated oval frame painted to look as though it were made of porphyry (a type of red stone). artist QS:P170,Q150679 Title Portrait of Cornelis van der Geest Object type painting Genre portrait Depicted people Cornelis van der Geest Date circa 1620 date QS:P571,+1620-00-00T00:00:00Z/9,P1480,Q5727902 Medium oilon oak wood Dimensions Log in to USEUM to download unlimited free images, send e-cards and interact with thousands of famous paintings, drawings and illustrations. Remember me (uncheck on a public computer), By signing up you agree to terms and conditions Willem van Haecht's painting is included in the CODART Canon and the Flemish List of Masterpieces. Posted by Adam Busiakiewicz: CODART have published an article on the recent restoration of the Rubenshuis's The Picture Gallery of Cornelis van der Geest by Willem van Haecht (II). A grand chamber is populated with important people admiring important art. This uproarious crowd of mythical characters is noisy and ill-behaved, but meant to make you smile. By using this website you are agreeing to the use of cookies. This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. This painted picture gallery represents the collection of Cornelis van der Geest (1555-1638), one of the most prominent art collectors in Antwerp and a friend of Rubens. For the hair and beard he employed long, wispy strokes, while elsewhere he used much thicker paint to add texture to the edges of the ruff, for example. Art lovers, artists and other distinguished guests meet and converse in this imaginary world. This portrait was made in about 1620, when Anthony van Dyck was only 21 years old the rising star of his generation, and soon to become one of the best-known portrait painters in Europe. ; 31 x 26 1/4 in. Cornelis van der Geest c. 1927 Gwendolyn Cross (English, 1900-1966) after Anthony van Dyck (Flemish, 1599-1641) Discover More Status Currently Off View Department Prints and Drawings Artist Gwendolyn Cross Title Cornelis van der Geest Place Flanders (Artist's nationality) Date Made 1926-1927 Medium Mezzotint in black on cream wove paper Dimensions Given its context, the former may allude to Drer's role as standard bearer and rallying figure in Northern Renaissance art. He certainly rises to the occasion, though not by showing off a radically new approach to the composition, as some young artists might have done. Note: Comment submission is temporarily unavailable while we make improvements to the site. Pictures by, or in the style of Massys, Pieter BBruegel the Elder, Cornelis van Dalem, Frans Floris and Pieter Aertsen, among other sixteenth-century Antwerp masters, are proudly displayed. Biography. ; ; De kunstkamer van Cornelis van der Geest. Jacobus Petrus Cornelis van der Geest, known as "Jack", was born at Teijlerstraat 58 in The Hague, Netherlands. All structured data from the file namespace is available under the. He was also the dean of the haberdashers guild.[1]. 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", label QS:Lnl,"De kunstkamer van Cornelis van der Geest. The glorious colours in this portrait are equalled by the delicacy and sensitivity with which Van Dyck has captured an intimate moment between us and an unknown woman and her little boy. Willem van Haecht (1593-1637), The Picture Gallery of Cornelis van der Geest (after restoration), 1628, Rubens House, Antwerp Rubens House, Antwerp But his . Biography. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE. File:Willem van Haecht - Collection of Cornelis van der Geest with Joseph and Potiphar's wife.jpg; File:Willem van Haecht - The Gallery of Cornelis van der Geest, 1628.jpg; File:Willem van Haecht - The Gallery of Cornelis van der Geest, 1628 (cropped1).jpg; File:Willem van Haecht - The Gallery of Cornelis van der Geest, 1628 (cropped2).jpg They are surrounded by fabulous collections of paintings, sculptures, prints, antique coins, globes, porcelain and so much more. On the front table next to Drer's engraving is a drawing Apelles Painting Campaspe in the Presence of Alexander the Great (1600) by Jan Wierix (1549-c. 1618). He was also the dean of the haberdashers guild. The Gallery of Cornelis van der Geest Object type painting Genre interior view Description English: *102,5 x 137,5 cm signed b.c. (Possibly) Cornelis van der Geest (1577-1638), the successful spice merchant and Maecenas, and on display by 1628 in the Huis de Keizer, Mattenstraat, Antwerp, backing on to the Werf on the Scheldt; his main heirs were Cornelis de Licht, Cornelis Hecx and Adriaan Radmaecker. Educa manufactured some of the best fine arts puzzles in the market. The walls of Cornelis van der Geests gallery are hung with 43 (!) Her half smile and the rose tucked over her ear suggest an agreeable, perhaps even mischievous, character. (30,000 21,806 pixels, file size: 508.69 MB, MIME type: medium QS:P186,Q296955;P186,Q106857709,P518,Q861259, https://creativecommons.org/publicdomain/mark/1.0/, Last edited on 17 February 2023, at 15:45, https://dams.antwerpen.be/asset/f2TBQgiWGtNX7KagNJ6JNF7G/yJpjJCarbvjLSemfWFDHny56, Willem van Haecht - The Gallery of Cornelis van der Geest, 1628 (cropped1).jpg, Willem van Haecht - The Gallery of Cornelis van der Geest, 1628 (cropped2).jpg, Willem van Haecht - The Gallery of Cornelis van der Geest, 1628 (cropped3).jpg, Willem van Haecht - The Gallery of Cornelis van der Geest, 1628 (cropped4).jpg. Life Willem van Haecht was born in Antwerp as the son of the landscape painter Tobias Verhaecht. Framed: 92.4 x 79.5 cm. Language links are at the top of the page across from the title. Behind, Van Dyck gestures toward the painting. Though it reflects the style of the artist in the 1630s, it could have been painted by a follower Two horses run wild across a flat, earthy plain against a cloudy sunset. This painting, depicting the visit of the governors of the Southern Netherlands, Albrecht and Isabella, to Van der Geest's famous art collection, is by Willem van Haecht (1593-1637). This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. Nevertheless, the comprehensive collection encompassed everything from copies of famous ancient sculptures up to contemporary paintings by Rubens. The original file is very high-resolution. This category has the following 2 subcategories, out of 2 total. This page was last edited on 17 February 2023, at 15:45. You can find notes again by going to the Notes section of your account. Paintings hanging in his art gallery followed by the numbers of the five gallery paintings above: Madonna and Child Kissing by Quentin Matsys (5), Judith and Holofernes, by Adam Elsheimer (3 & 5), The Pancake Bakery, by Pieter Aertsen (5), Flowers in a Vase, by Daniel Seghers (2,3 & 4), Game Larder Still Life with a Page Holding a Parrot, by Frans Snyders (1,2,3 & 5), Portrait of a Scholar, by Quentin Matsys (2,3 & 5), The Money Changer and His Wife, by Quentin Matsys (3), The Reconciliation of Esau and Jacob, by Rubens, (1), Mucius Scaevola before Porsenna, by Rubens (4), Achilles recognized among daughters of Lycomedes, by Anthony van Dyck (2), Samson and Delilah by Anthony van Dyck (3), Portrait of Ferry Carondelet with his Secretaries, by Sebastiano del Piombo, (1,2,3 & 4), Roman Soldier and Servant, by Bernaert van Orley, (2,3 & 4), Apollo and Daphne, by Francesco Albani, (1 & 3), Spring, by Hans Rottenhammer, (2,3,4 & 5), Last Judgement, by Hans Rottenhammer, (5), Venus Blindfolding Cupid, by Titian (2,3 & 4), Venus and Cupid with a Satyr, by Correggio (2,3 & 4), The Last Supper, by Otto van Veen, (4 & 5), Kranenhoofd on the Schelde in Antwerp, by Sebastian Vrancx (5), The Rape of Europa, by Hendrick van Balen (2 & 3), Venus in the Forge of Vulcan, by Felice Riccio (2,3 & 5), Lost portrait wrongly considered as that of Paracelsus, by Quentin Matsys (5), Van der Geest also functioned as a maecenas. They are surrounded by fabulous collections of paintings, sculptures, prints, antique coins, globes, porcelain and so much more. The painter captures the collection of a proud art collector in a gallery picture so that the latter can show it off. Only a few of his works have been preserved: three rare Galleries of Cornelis van der Geest, a prominent Antwerp art collector and patron of Rubens. To avoid these issues, use the ZoomViewer. The sitter, on the other hand, is Cornelis van der Geest, who was 65 and a grand old man of the arts. In his first letter to the Corinthians, Saint Paul outlines the importance of faith, hope and charity, naming charity as the greatest of the three. Biographie Art UK has updated its cookies policy. Willem van Haecht - The Gallery of Cornelis van der Geest, Willem van Haecht (II), Guillaume van Haecht, date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1608-00-00T00:00:00Z/9,P1326,+1637-00-00T00:00:00Z/9,P1480,Q5727902, label QS:Lpl,"Galeria Cornelisa van der Geest. All structured data from the file namespace is available under the. The moisture in van der Geests eyes is evoked with delicate flecks of white paint. Van der Geest and his father, Jacobus van der Geest, were heavily involved in Dutch resistance activities, including hiding Jews. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. It might not load properly or could cause your browser to freeze when opened at full size. Original file (3,424 2,586 pixels, file size: 6.09 MB, MIME type: image/jpeg). Cornelis van Cleve, Cornelis van Cleef or Cornelis van der Beke, nickname Sotte Cleve ('Mad Cleve') (1520 in Antwerp - 1567/1614) was a Flemish Renaissance painter active in Antwerp who is known for his religious compositions and portraits. But his brushwork is virtuosic. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. The work was recently subjected to a thorough restoration by the experts of the Royal Institute for Cultural Heritage (KIK-IRPA). This page was last edited on 25 February 2022, at 07:04. She is probably aristocratic and is clearly wealthy the many pearls strung around her neck and over her shoulders, and the two large tear-drop pearls of her earrings, are showily Two young men in fashionable clothing look into the distance as they lean against a plinth. If you want to see a particular artwork, please contact the venue. Cornelis van der Geest was one of the most prominent art collectors of his day, so this commission must have been extremely important to Anthony van Dyck, who was only 21 at the time. [1] Art collection [ edit] He is best known today for his art collection. For the hair and beard he employed long, wispy strokes, while elsewhere he used much thicker paint to add texture to the edges of the ruff, for example, or for the edges of the lower eye lids, which are modelled in three dimensions with thick ridges of paint. paintings, 24 of which are still known to us today. He looks very slightly back at us, as though he has just reacted to our presence. Gwendolyn Cross (English, 1900-1966)after Anthony van Dyck (Flemish, 1599-1641). (4) Spurious portrait of Paracelsus in the Gallery of Cornelis van der Geest, 1620-1637 (see C. Webster, 'Bare Heads against Red Hats', in From Physico-Theology to Bio-Technology, Amsterdam 1998, 54-75). Although the picture was last restored in 2009, the unstable panel had resulted in distracting cracks appearing along the . [4] Similarly, the order for the 1630-1632 Triptych of Saint Ildephonsus, intended for the Saint James church, but now in the Kunsthistorisches Museum in Vienna, was given to Rubens through the influence of Van der Geest. The following 8 files are in this category, out of 8 total. The early seventeenth century saw the emergence of an exclusive genre in Antwerp painting, namely Constkamers or painted art galleries. One of these paintings, dated 1628, belongs to the Rubens House and is included in the Flemish List of Masterpieces. But his brushwork is virtuosic. Copyright Office) before January 1, 1928. He has taken a relatively conservative approach, using a traditional format: a close up of just the sitter's face, framed by a white ruff. We look up at him from below, which emphasises his commanding pose, but the elegance and urbanity usually present in Anthony van Dycks formal portraits seems to be missing. He has taken a relatively conservative approach, using a traditional format: a close up of just the sitters face, framed by a white ruff. The Gallery of Cornelis van der Geest is an artwork on USEUM. This artwork does not have any tags yet. Prominent guests In the foreground he proudly shows off one of the masterpieces in his collection - a Virgin Mary and Christ Child by Quentin Massys - to his prominent guests. We apologize for the interruption. They are known as the Balbi children because the painting was once in the collection of the wealthy Balbi family in Genoa, but we dont know who they are. Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Indeed, Van Haecht, as painter and curator of the collection, plays Apelles to Van der Geest's Alexander. The Abb Scaglia (15921641), whose full name was Cesare Alessandro Scaglia di Verrua, was a cleric and diplomat well known in Rome, Madrid, London and Paris for his service to the House of Savoy and Philip IV of Spain. This is a faithful photographic reproduction of a two-dimensional, The official position taken by the Wikimedia Foundation is that ", Willem van Haecht - The Gallery of Cornelis van der Geest, 1628.jpg. It still appears sometimes, but it is becoming increasingly hard to find. Cornelis van der Geest (1555 10 March 1638) was a spice merchant from Antwerp, who used his wealth to support the Antwerp artists and to establish his art collection. Self-portrait from The Gallery of Cornelis van der Geest Willem van Haecht (1593 - 12 July 1637) was a Flemish painter best known for his pictures of art galleries and collections. Add or edit a note on this artwork that only you can see. Instead he has taken or perhaps van der Geest asked him to take a relatively conservative approach using a traditional format: a close up of the sitters face framed by a white ruff. [2] Thanks to a thorough restoration of the panel, the addition of a pioneering support, and tailor-made protection, this masterpiece can be durably preserved for future generations. If you have any products in your basket we recommend that you complete your purchase from Art UK before you leave our site to avoid losing your purchases. Cornelis van der Geest was one of the most prominent art collectors of his day, so this commission must have been extremely important to Anthony van Dyck, who was only 21 at the time. Cornelis van der Geest was one of the most prominent art collectors of his day, so this commission must have been extremely important to Anthony van Dyck, who was only 21 at the time. Our collection database is a work in progress. The walls of Cornelis van der Geest's gallery are hung with 43 (!) Add a one-line explanation of what this file represents, Willem van Haecht (II), Guillaume van Haecht, date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1608-00-00T00:00:00Z/9,P1326,+1637-00-00T00:00:00Z/9,P1480,Q5727902. The (inter)national masterpiece from the museums own collection was subjected to a comprehensive conservation and restoration at the Royal Institute for Art Heritage (KIK-IRPA). This double portrait has traditionally been considered to be by Anthony van Dyck, but this is now doubted. He is best known today for his art collection. Hij had een befaamde kunstcollectie en als . Willem II van Haecht's panel of the Cabinet of Cornelis van der Geest (1628), introduces the viewer to the theme of the Five Senses by including five prominently displayed paintings, each . After a lengthy and complex restoration, that took two years, the Gallery of Cornelis van der Geest is back on display at the Rubens House. This was a punishment for Theodosius massacre of the people of Thessalonica, who had murdered his general, Butheric.This story was re Abb Scaglia (15921641), cleric, diplomat, spy and one of Van Dycks most important patrons, commissioned this painting while suffering from ill health and in a reflective state of mind. Files are available under licenses specified on their description page. Art lovers, artists and other distinguished guests meet and converse in this imaginary world. And if we doubted Rubenss word, a painting of the interior of van der Geests house in 1615 by Willem van Haecht (now in the Rubenshuis, Antwerp) shows his extensive collection of pictures by some of the most important Flemish artists of the sixteenth and seventeenth centuries. AFTER SIR ANTHONY VAN DYCK | Portrait of Cornelis van der Geest (1555-1638) Estimate 1,500 - 2,000 GBP bidding is closed Description Anthony van Dyck Portrait of Cornelis van der Geest (1555-1638) Unframed: 78.7 x 66.5 cm. There is a lot to see in this work and a lot to say about it too. Portrait of Cornelis van der Geest (1577-1638), Antwerp spice merchant, patron, and art collector, after the painting by Anthony van Dyck in the National Gallery, London. Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601). This is a faithful photographic reproduction of a two-dimensional, The official position taken by the Wikimedia Foundation is that ", The Gallery of Cornelis van der Geest, by Willem van Haecht.jpg. This was a device which Van Dyck used in at least one other picture around this time (Portrait of a Man, Muses Royaux des Beaux-Arts, Brussels). The composition reveals a growing historical consciousness. Here we present some highlights. He is shown life-size. Cornelis van der Geest (1555 - 10 March 1638) was a spice merchant from Antwerp, who used his wealth to support the Antwerp artists and to establish his art collection. Picture: Rubenshuis. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. [Skip to quick links] The timestamp is only as accurate as the clock in the camera, and it may be completely wrong. Cornelis is a 2010 Swedish biographical drama film directed by Amir Chamdin, about the life of the musician Cornelis Vreeswijk.The soundtrack of the film was composed by Cornelis' son Jack Vreeswijk.. Vreeswijk is portrayed by Hans Erik Dyvik Husby, also known as Hank Von Helvete, former lead singer in the Norwegian rock band Turbonegro.The film centres on Vreeswijk's refuge to Sweden when he . The positioning of van der Geests head and gaze is also subtly effective. William van Haecht's painting is included in the Flemish List of Masterpieces and the CODART Canon, a list of the 100 most important works of art from the Netherlands and Flanders (1350-1750). Image Details 822 x 672 pixels. With the publication of biographies of famous artists by Giorgio Vasari (2550 and 1568) in Florence and Karel van Mander (1604) in Haarlem, a consensus about which artists were historically significant began to emerge. The painting also shows some of Van der Geest's sculptures, with copies of the Venus de' Medici, the Farnese Hercules, and the Apollo Belvedere.[3]. A Latin inscription on the tablet hanging from a tree identifies him as King of Great Britain this is Charles I, surveying his kingdom. Paintings by Willem van Haecht of his art gallery: (1) Collection of Cornelis van der Geest with Joseph and Potiphar's wife, c.1630, (2) Alexander the Great visits the studio of Apelles, c.1630. His lips are parted, as if he is about to introduce himself this is the Flemish painter Anth Lord John Stuart and his Brother, Lord Bernard Stuart, Portrait of George Gage with Two Attendants, St Ambrose barring Theodosius from Milan Cathedral, The Abb Scaglia adoring the Virgin and Child, Portrait of Robert Rich, 2nd Earl of Warwick, Research, private study, or for internal circulation within an educational organisation (such as a school, college or university), Non-profit publications, personal websites, blogs, and social media. Original file (30,000 21,806 pixels, file size: 508.69 MB, MIME type: image/jpeg). Cornelis Bronsgeest (24 July 1878 in Leiden - 22 September 1957 in Berlin) was a Dutch bass-baritone who made his career in Germany.Born to a bourgeoisie catholic family from Leiden cultivating arts and after discovering his musical talent, Bronsgeest decided to give up career as an architect and became an opera singer, touring internationally. Download a low-resolution copy of this image for personal use. Van der Geest, Cornelis (1577-1638); handelaar, kunstverzamelaar en mecenas, Van Dyck, Anthony, Felixarchief, 12 12722.jpg 5,021 6,652; 6 MB Anthony van Dyck - Cornelis van der Geest - WGA07391.jpg 672 822; 109 KB Review our guidance pages which explain how you can reuse images, how to credit an image and how to find images in the public domain or with a Creative Commons licence available. What sets the painting apart is Van Dycks virtuoso brushwork. In April 1643, as a painter living on the Nieuwezijds Voorburgwal, he married Marritie Dircx . "Kamers vol kunst in 17de eeuws Antwerpen", Geschiedenis der Antwerpsche rederykkamers, Willem van Haecht schilderde in 1628 de constkamer van cornelis van der geest; een multi-interpreteerbaar tijdsdocument, https://en.wikipedia.org/w/index.php?title=Cornelis_van_der_Geest&oldid=1154815710, Creative Commons Attribution-ShareAlike License 4.0, This page was last edited on 14 May 2023, at 20:54. He was the son of Cornelis Pietersz van Soest, and in 1642 he became Poorter of Amsterdam where he was recorded until 1667. Pieter Cornelisz van Soest (born c. 1600-1620, flourished c. 1640-67) was a Dutch marine artist, especially prolific in battle-pieces.. The positioning of van der Geests head and gaze is also subtly effective. Any other type of use will need to be cleared with the rights holder(s). The following 27 files are in this category, out of 27 total. As far as can be ascertained, no more than a hundred paintings were preserved. The large frame now covers the additions. Van Haecht held this position until his death in 1637. Join Facebook to connect with Jan Cornelis van der Geest and others you may know.
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